Music : Expressionism

Prettier from five orchestral frames is an atonal (no significant find out sig temper) Expressionist slicing of euphony written by Austrian composer Schoenberg (who is associated with the expressionistic movement of the early twentieth century and was the founder of the second Viennese school of music). It was composed in 1909, written for a big orchestra, make up of principal(prenominal)ly flutes oboes clarinets and bassoons.Additionally some other brass instruments and percussion move in the instal such as the trumpet, trombone, xylophone, cymbals and bass drum. Prettier can be described as a very intense and restless piece of music with many quick changes in speed, mood and instrumentation. The translation of Prettier into position is a sudden change in fortune, which abruptly describes the nature of this piece. One factor which makes Prettier a clear example of expressionist music is the instrumentation.In this piece the instruments atomic number 18 often played at th e extreme of their registers, increase the dramatic style which sets the stage for this expressionist piece of music by including extreme contrasts in the kinetics, which an be seen in the score of the piece where Schoenberg tag from up to if. Another two factors which portray the genre of this piece ar the perpetually changing textures and unusual structure there are many stems which are changed by dint ofout the piece however there is no concrete main melody.It is made out of complicated cantabile fragments which are based on 6 notes from 12 incompatible semitones in a scale, known as hexachord, which are almost in rondo physical body (abaca.. ) where the same melodic idea returns many times. The a theme, which returns more than twice, are each very different to each other and described as almost unrecognizable. This creates a gumption of unawareness , a feeling of unpredictability and suspense for the tender, we never hold what we will hear next.The idea of using free rondo form is used to bring the same atmosphere, mood and feel of a motif rather than the exact, precise copy of notes. An example of a hexachord in this piece is the recurring hexachord in bar 8 , ( a, b flat, c , c sharp, e , f) laded as a motif and chord by the horns each(prenominal) different section of the piece varies in length swell as the continuously varying textures and tempos. Schoenberg frequently changes the speed within Prettier. He uses a lot of different note lengths ranging from deem-semiquavers to semibreves.This use of constantly changing tempos, melodies and dynamics heightens the dramatic nature of the piece making it very exciting for the listener The whole step, pitch and harmonies of this piece are very particular to the style of expressionism. The unharmonious harmonies and clashing sounds throughout this piece create discomfort for the listener and are successfully used to convey the desired emotions of the composer, which he was aiming to express throug h his music.As well as the sudden and extreme changes in dynamics and rhythms in this piece, the textures vary as well. This piece has a contrapuntal texture with moments of polyphonous and homophobic textures too ranging from a solo flute to the whole orchestra compete which provide possibilities of creating dramatic moments of climax thin the song, once again transfer deep emotions and conflict, fitting perfectly into the expressionistic genre.The melody in Prettier is disjointed and is played by all the instruments at different times throughout the piece, known as agglomerations (tone-color melody). Additionally the melody is very angular and pellucid and often uses repeated notes or short motifs, which enhances the uncomfortable feeling for the listener. Schoenberg plays with the timbre of this piece, with quick, sudden changes between families of instruments such as the brass ND woodwinds which in result varies the sound of the piece making it more unusual and unpredictable .Prettier perfectly fits into the category of expressionism through the exiting use of changing dynamics, tempos, harmonies, textures, orchestral devices, melodies and rhythms, making this piece exiting and vibrant to listen to every time. Each time it is played new-sprung(prenominal) moments are found that were previously unknown to the listener, bringing something new to its interview each time it is heard, whether it be emotional or categorical, thus plainly fitting into the genre of expressionism.