Reviewing The Film Version Of Brokeback Mountain Film Studies Essay

Reviewing The Film strain Of Brokeback smoke Film Studies EssayThis essay will aim to correspond the shoot down random variable of Brokeback Mountain with Annie Proulxs succinct baloney. It will explain, discuss as thoroughly as evaluate the charges in which Ang Lee delineate underlying themes and mentations done-out the snap. Many themes and ideas were dealt with in the word contrive, some of which will be looked at such as, relationships, chicane, desire and the gothic.Ang Lee was able to express knee bend and Enniss masculinity through their physiologic features, the jobs that they undertook, as well as through their clothing, end-to-end the icon. The two men were seen to be working on the land, doing strenuous physical labour and played out the manful roles in lodge. In twain(prenominal)(prenominal) the movie and the slight story jack up and Ennis relationship with nature was mannish in the way that they spent a great deal of eon in the open countr yside at work. Their relationship with the land strengthened through the depiction of their rage making on Brokeback Mountain which showed their deep postnership and confidence with their surroundings. Even though the men were envisioned as masculine figures throughout some(prenominal) the film and the story, there was overly a precise prominent shift in the gender roles, as seafarer and Ennis both alternated amongst the traditional roles of male female. Central to Proulxs thinking is non notwithstanding the subjectivity of people shaped by geographical constraints, limits and opportunities, precisely also that the social introductions produced reveal personal narratives of engagement which often question set(p) social roles.1It could be argued that the short story was wholly close to the love of two men for each other and how this impacted on the lives they were judge to lead. that the movie foc utilise much on their home feeling and domestic roles, such as Enni s failing to provide and care for his children. The short story whole briefly mentioned Ennis family life. In the movie, there was great brain wave into the mens married life whereas in the book there is not practically dialect on this. This would live with helped the viewer to delve more than deeply into their personal lives and wherefore have a better understanding of them.The women in the film version of Brokeback Mountain were more visible, referred to more and had a chief(prenominal)ly active role in the story in relation to son of a bitch and Ennis. The viewer was able to see life from the womens points of view and into the hardships of their lives. Whereas in the short story they were merely portrayed as obstacles that stopped diddlyshit and Ennis from prosecute their romantic relationship. It could be argued that Ang Lee did not want women to merely be on the margin in this film, he probably wanted to function the women to the foreground of the story since conventi onal relationships are surrounded by men and women, different Proulx whose version was more closely focused around the relationship between cuckoo and Ennis. In both versions the women were powerless to affect what was going on, oddly after they eventually discovered that Jack and Ennis were more than just friends. at that place was nothing that they could do, as they were unable to efficaciously influence the situation in their favour,. and the door opening and Alma looking out for a few seconds at Enniss straining shoulders.She had seen what she had seen.2In addition, this story was set at a beat when women were seen to be more dominant in the private domestic sphere, therefore they seemed to be nave of about the goings on in the outside world and perhaps did not have a loud enough verbalize to stand up to men.One of the main themes in Ang Lees film version of Brokeback Mountain was the added dimension of nature and the surroundings of the west in which the film was set. P roulx references to the landscape to set the scenes were very descriptive throughout the story. The mountain change state with demonic energy, glazed with flickering broken-cloud light the wind combed the forage and drew from the damaged krummholz and slit rock a bestial drone.3The awful awe-inspiring shots of the landscape in Ang Lees movie, gave a new dimension to the film as the shots of nature became just as much a part of the film as the story line. The beauty of the shots nearly as important as dialogue4The impact that nature had on people who already matte comfortable in the open country were given more judiciousness and significance.Sp coating time together on Brokeback Mountain was analogous a retreat or a safe haven from purchase order in which Jack and Ennis would have been judged because of the nature of their relationship. Whilst on Brokeback Mountain the emphasis on nature meant that they felt free and at peace outside(a) from night club and were able to be th emselves without the risk of being ridiculed or judged.The public figure of the dead sheep on the mountain, in the film, acted as a metaphor for the idea that even though the men felt safe and free on the mountain they were still vulnerable in the eyes of society.The main themes that ran through the film were that of love, relationships and desire.There were great similarities in the short story and the movie in the ways in which the characters related to each other, their emotion and concern. The way that Jack was so caring towards Ennis, was expressed perfectly through both mediums. The way their relationship was portrayed was so painful as they could never be together was shown in different ways in both the short story and the movie. They have to privatise their feelings5. The original dialogue from the story added another dimension to Ang Lees film. As a lot of the time the characters talk or spoke in a quiet manner, it gives the impression that what they were verbalism was n ot to be shared with others.The scene in the movie where Ennis became neurotic after raise departure from Brokeback Mountain, was very much more solemn and emotional than in the short story, within a mile Ennis felt like someone was pulling his guts out6. The emotion was not felt whilst reading the book, it was better conveyed in the movie. The reason for this may have been as a depart of the medical specialtyal soundtrack and the close up television television camera shots which showed Ennis as totally distraught. This was apparent also near the end of the film by the lines, I wish I knew how to quit you7, which were spoken, the tone and the great unwashed of which this short line was spoken displayed the pain that Ennis and Jack were enduring by being apart.In addition, in the final scene at Jacks house with the two shirts, one inside the other the scene was portrayed better opticly than in the book due to the impact that the music had over the scene, which was not achiev ed in the short story. However, it the words used in the short story were powerful in their simmpleness. The shirt seemed heavy until he saw there was another inside itthe pair like two skins, one inside the other, two in one.8On a tangible level this scene added shaped to the story, as the story ended where it started, both with dreams, both with shirts.Both the movie and the short story expressed key elements of the gothic. Two of the most prominent elements were violence and mystery. Proulxs short story had an ambiguous ending in which the reader was unsure of how Jack died and who killed him. His family and Ennis were left question if it was an accident or if it was on purpose as a result of someone finding out about his secret relationship with Ennis. The ending was left for the viewer to decide and to use their imagination as to who killed Jack and how he was killed, quite like a murder mystery. Not only did I want to be loyal to Proulxs writing, but I necessary to do add itional scenes to confirm her writing, because we dont have the internal depictions which she did most brilliantly.9This was true(a) consistently throughout the film.There were many sections in the film that did not appear in the story, such as the argument between Jack and his father-in-law on Thanksgiving, and the scenes where Jack went to Mexico to explore his sexuality and the greater depth and taste into their family lives and the people closest to them. Scenes even appeared in a different order. However things that were missing from the film were filled with extended scenes that were also not in the short story. These extended scenes gave the viewer a greater cleverness into the lives of Jack and Ennis as well as those that they interacted with.Futhermore in the movie Ang Lee used flashbacks as well as clips which gave the viewer a greater insight into the unknown, and to things that were below the surface of the characters initial thoughts. The viewer always had the fuller picture drawn out for them, which was pieced together by the actual storyline. This was present in the way that Ang Lee used a flashback to show how Ennis father showed him what happened to a man who lived with another male as yet this was not presented in the alike(p) way in the short story.The movie was quite direct and visual and the story had a definitive ending and the audience knew exactly what happened to Jack even if the other characters in film did not. The use of the movie as a visual aid meant that there was more freedom in the idea of the gothic with the gruesome scenes of the man who was castrated as well as the murder of Jack. The book ended as it stated that the love felt by Ennis was endured, but it was only an end to the physical but not emotional love. It was as if the story still continued beyond the text, and would continue to do so as long as society failed to move on. There was some open space between what he knew and what he tried to believe, but nothing co uld be done about it, and if you cant fix it youve got to stand it.10The long silences and deep stares that were exchanged between Jack and Ennis throughout the film expressed their unspoken love, this was more effectively displayed in the film than the short story. Because of their stoic characters, the story has much to do with what is unspoken, with the shame and ungodliness that fills them11This made the film a lot more powerful than the story as a result of these silences. narrative breaker point is echoed by Ang Lee cinematically. The beauty and purity of the emotions is matched by the rustic stateliness of the landscape in reducing the story to a universe of simplicity of scenery and emotion, Lee was trying to create a new depth for a love story.12As a result of the shame and guilt that would have been forced upon them whilst in society Brokeback Mountain gave them a genius of freedom to do things that would not have been acceptable in society at the time.Ang Lee tells us that the focus on emotion cannot be articulated in words, and employs the imagined iconic solitude of the cowboy13The use of camera shots such as panning and close ups helped to covey the emotion through the imbue to the viewer, this therefore enabled the viewer to have a better emotional connectedness with the characters.One of the main adaptations that Ang Lee made to the film version of Brokeback Mountain was his selection of his cast, especially the main characters. Whereas in the short story Jack and Ennis were not described as overly good looking men, however Ang Lees cast did not portray this.